I’m a passionate sound artist who has transformed my love for sonic arts into a fulfilling career.
With a curious spirit, I have worked on numerous television and cinema productions and explored various sound disciplines, including tv and radio advertising, documentaries, multimedia installations and exhibitions.
My goal is to craft soundscapes that deeply resonate with audiences, blending technical expertise with creative vision to captivate and evoke emotions. I am committed to making a meaningful impact with my art, bringing joy and inspiration to all those who experience it.
As the founder of Unidentified Sound Object, I am proud to lead an independent publisher of high-quality sound effect libraries that serve a global client base.
Our collections feature a diverse range of commercially usable sounds, crafted from unconventional sources like analog and digital synthesis, and unique microphone techniques.
As a sound designer with a focus on 3D audio, I excel in crafting immersive experiences.
I specialize in 3D audio to design realistic and emotionally engaging virtual environments, enhancing the immersive quality of VR, AR, and gaming experiences.
Songs of the Water Spirits is the soundtrack for Nicolò Bongiorno‘s latest film. In collaboration with Walter Marocchi, we crafted a distinctive sonic journey through India’s Ladakh region, blending electronic elements with guitar work. The addition of wind instruments and ethereal vocals elevates the score, making it an immersive listen for those who appreciate the essence of nature.
Together with Lorenzo di Tria, we’ve created U.S.O. Production, your trusted partner for exceptional on-location sound for films, commercials, and TV.
With a strong background in Audio Post Production, we enhance your production sound for top-tier results. Trust us for seamless sound integration into your final product.
Our expertise encompasses:
Since 2013, I’ve had the pleasure of teaching sound design at the Istituto Europeo di Design (IED), a globally esteemed institution.
My experience has been deeply rewarding as I’ve been able to share my expertise with the next generation of creative talent.
I consider it a privilege to contribute to each student’s development, using my own career lessons to guide them toward realizing their dreams and achieving their highest potential.
At IED, I teach sound design, covering tools and platforms for audio post-production, creating original sound elements for mix-to-picture, and techniques for 3D audio mixing and surround sound.